Dual-redundant power supplies are fed from 2 x IEC mains sockets. BNC wordclock I/O, AES3 sync I/O, 2 x HDMI monitor outs are available for possibly dual-operator mode and a USB socket. The CM1 slots can accommodate MADI (64 channels) and Dante (64 channels). Dual HyperMac snake sockets have optical and copper connections. The rear panel has 8 x analogue XLR ins and outs, 2 x Ultranet ports, 4 x direct AES50 sockets and a dual network bridge format converter. The 28 x 100mm motorised fader layout is the right amount for a live digital console, in my opinion - it minimises layer surfing and it gives the console a somewhat traditional feel by being able to stripe 24 input channels across the board quickly. It’s not exactly penguin-portable but it doesn’t take up too many seats either, and it’s a commanding, luxurious space to work when you’re standing behind it. The Heritage D is a live show console whose form follows function. Tapping the screen is great for instant big changes but real knobs can be less distracting than dragging on the screen for nuanced adjustments. The section to the right of the screen has nicely-lit, touch-sensitive knobs and buttons that fall easily to hand when you reach for them and trigger relevant setting displays on the screen when you touch them. Most operations can be controlled from the screen (including faders on screen) but it doesn’t totally dominate the console. The centrepiece 21-inch LCD multitouch screen is big, well-angled for the user, easy to reach and responsive. The console is instantly attractive - it looks great and I found that other audio people were instantly attracted as well. Now’s the time to spend time with it in the field. The last few years have been about testing, collaborating with users and refining the firmware. AudioTechnology had a look at a prototype back in 2019 when the console size, shape, layout and screen were all settled. Midas enjoyed sustained success with its Pro Series of digital consoles, and continues to enjoy success with its more entry-level M32 Series and its now aiming at regaining the higher ground.ĭevelopment of the Midas Heritage D has been allowed to run its course. The Midas Heritage D arrives with expectations raised by naming it after the Midas Heritage 3000 - long regarded as the king of analogue live mixing consoles. The technology has become widespread even as it matures and, while favourites have emerged, not everything is settled - there’s still room for innovation and new approaches. Nothing stays the same in digital console land.
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